XII: Películas: Before Sunrise.

Celine: Would you read it to us.
The Poet: Sure, Ok:
daydream delusion
limousine eyelash
oh baby with your pretty face
drop a tear in my wine glass
look at those big eyes on your face
see what you mean to me
sweet cakes and milk shakes
I’m a delusion angel
I’m a fantasy parade
I want you to know what I think
don’t want you to guess anymore
you have no idea where I came from
we have no idea where we’re going
lodged in life like two branches in a river
caught in the current
flowing downstream
I’ll carry you    
you carry me
that’s how it could be
don’t you know me
don’t you know me by now…



Before Sunrise. Director: Richard Linklater.

XI: Películas: Bande à Part.

Mounsier Segalot: Los imperios se desmoronan, las repúblicas se fundan, pero los locos continúan.
Franz: Bravo, Mounsier Segalot, ¡Eso es lucidez!
Narrador: Ahora es tiempo para abrir un segundo paréntesis, para describir los sentimientos de nuestros personajes. (...) Arthur sigue mirándose los pies, pero su mente está en la boca de Odile y sus románticos besos. (...) Odile se pregunta si los chicos notan sus pechos moviéndose bajo su suéter.(...) Franz piensa en todo y en nada. Se pregunta si el mundo se están convirtiendo en un sueño o el sueño, en el mundo.

Bande à Part. Director: Jean-Luc Godard.

CXVI. Springsteen.

I'm dying for some action
I'm sick of sitting 'round here trying to write this book
I need a love reaction
come on now baby gimme just one look

Bruce Springsteen - Dancing in the Dark.

CXV. The Smashing Pumpkins.

We’ll find a way to offer up the night (Tonight)
The indescribable moments of your life (Tonight)
The impossible is possible tonight (Tonight)
Believe in me as I believe in you

The Smashing Pumpkins - Tonight, Tonight.

CXIII. Depeche Mode.

I'll be fine
I'll be waiting patiently
Till you see the signs
And come running to my open arms
When will you realize
Do we have to wait 'till our worlds collide
Open up your eyes
You can't turn back the tide

Depeche Mode - It's no good.

CX. Pulp.

"(...) Are you sure you want to live like common people,
you want to see whatever common people see,
you want to sleep with common people,
you want to sleep with common people,
like me."
But she didn't understand,
she just smiled and held my hand.

Pulp - Common People.

X: Películas: Monty Python's Life of Brian.

[Brian is writing graffiti on the palace wall. The Centurion catches him in the act]
Centurion: What's this, then? "Romanes eunt domus"? People called Romanes, they go, the house?
Brian: It says, "Romans go home. "
Centurion: No it doesn't ! What's the latin for "Roman"? Come on, come on !
Brian: Er, "Romanus" !
Centurion: Vocative plural of "Romanus" is?
Brian: Er, er, "Romani" !
Centurion: [Writes "Romani" over Brian's graffiti] "Eunt"? What is "eunt"? Conjugate the verb, "to go" !
Brian: Er, "Ire". Er, "eo", "is", "it", "imus", "itis", "eunt".
Centurion: So, "eunt" is...?
Brian: Third person plural present indicative, "they go".
Centurion: But, "Romans, go home" is an order. So you must use...?
[He twists Brian's ear]
Brian: Aaagh ! The imperative !
Centurion: Which is...?
Brian: Aaaagh ! Er, er, "i" !
Centurion: How many Romans?
Brian: Aaaaagh ! Plural, plural, er, "ite" !
Centurion: [Writes "ite"] "Domus"? Nominative? "Go home" is motion towards, isn't it?
Brian: Dative !
[the Centurion holds a sword to his throat]
Brian: Aaagh ! Not the dative, not the dative ! Er, er, accusative, "Domum" !
Centurion: But "Domus" takes the locative, which is...?
Brian: Er, "Domum" !
Centurion: [Writes "Domum"] Understand? Now, write it out a hundred times.
Brian: Yes sir. Thank you, sir. Hail Caesar, sir.
Centurion: Hail Caesar ! And if it's not done by sunrise, I'll cut your balls off.

Monty Pyton's Life of Brian. Director: Terry Jones.

IX: Peliculas: Toy Story.

(o:33)
Caradepapa: Hey, mira Ham, soy Picasso.
Ham: No entiendo.
Caradepapa: Cerdo inculto. (...).




Toy Story. Director: John Lasseter.

CVI. The Jam.

And I don't care about morals
'Cause the world's insane and we're all to blame anyway

The jam - The butterfly colector

CIV. Juana la Loca.

Despues del colegio
trabajar, volverte viejo
son los eslabones
que la vida te propone
es tu desicion quizas
lo mejor llego.

Juana la Loca - Vida Modelo.

CI. The Stone Roses.

I'd rather be no one than someone with no one
I'd rather be no one than someone with no one

The Stone Roses - Here It Comes

VIII: Películas: Four Weddings and a Funeral.

Matthew: Gareth used to prefer funerals to weddings. He said it was easier to get enthusiastic about a ceremony one had an outside chance of eventually being involved in. In order to prepare this speech, I rang a few people, to get a general picture of how Gareth was regarded by those who met him. Fat seems to have been a word people most connected with him. Terribly rude also rang a lot of bells. So very fat and very rude seems to have been a stranger's viewpoint. On the other hand, some of you have been kind enough to ring me and let me know that you loved him, which I know he would have been thrilled to hear. You remember his fabulous hospitality, his strange experimental cooking. The recipe for "Duck à la Banana" fortunately goes with him to his grave. Most of all, you tell me of his enormous capacity for joy. When joyful, when joyful for highly vocal drunkenness. But I hope joyful is how you will remember him. Not stuck in a box in a church. Pick your favourite of his waistcoats and remember him that way. The most splendid, replete, big-hearted, weak-hearted as it turned out, and jolly bugger most of us ever met. As for me, you may ask how I will remember him, what I thought of him. Unfortunately there I run out of words. Perhaps you will forgive me if I turn from my own feelings to the words of another splendid bugger: W.H. Auden. This is actually what I want to say: "Stop all the clocks, cut off the telephone, Prevent the dog from barking with a juicy bonel, Silence the pianos and with muffled drum Bring out the coffin, let the mourners come. Let the aeroplanes circle, moaning overhead Scribbling on the sky the message 'He is Dead'. Put crepe bows 'round the white necks of the public doves, Let traffic policemen wear black, cotton gloves. He was my North, my South, my East, and West. My working week and my Sunday rest, My noon, my midnight, my talk, my song; I thought that love would last forever: I was wrong. The stars are not wanted now; put out every one, Pack up the moon and dismantle the sun, Pour away the ocean and sweep up the wood; For nothing now can ever come to any good."



Four Weddings and a Funeral. Director: Mike Newell.

C. The Charlatans.

Oh! my love be quiet and be quick
I found a house to live (keep out the weather)
I´m blind and Im sick
I heard the sound of thunder
In the place where all the poets sing
I couldnt get out, I couldnt get in
I´m hearing you, I´m hearing you
I looked up, I found God (love)
I couldnt see Ill soon be 33
I guess I didnt really want to see
I guess Im your man

The Charlatans - The Blonde Waltz.

XCIX. P.J. Harvey.

Now is the time to follow through, to read the signs
Now the message is sent, let's bring it to its final end

P.J. Harvey - A Place Called Home.

XCVIII. Garbage.

I know what's good for you (You can touch me if you want)
I know you're dying to (You can touch me if you want)
I know what's good for you (You can touch me if you want)
But you can't stop

Garbage - Queer.

XCVII. Kula Shaker.

If I found a way to make it home
I would never leave you here alone
No no no, well I would give it all to you
Just to know the right thing had been done for...
Been done for truth...

Kula Shaker - Troubled Mind.

XCVI. Oasis.

I'm not saying right is wrong
It's up to us to make
The best of all the things that come our way
Coz everything that's been has past
The answer's in the looking glass
There's four and twenty million doors
On life's endless corridor

Oasis - The Masterplan.

XCIV. The Charlatans.

Love shines a light
And it takes and it hurts
I know i'm right
I can bend 'til i burst
And love shines a light
And repays you with us
Yeah, too right
I'm gonna pledge my time 'til the day i die

The Charlatans - How High.

VII: Películas: The Life Aquatic whit Steve Zissou.

(0:34)
Steve Zissou: Well, that was only part one. It´s a Cliffhanger. Now I´m gonna go hunt that shark, or whatever it is, and, hopefully, kill it. (Silencio, murmullo, pausa) I don´t know how yet. Maybe dynamite.
(continua la escena)
Traductor: You don´t know what it is?
Steve Zissou: No, I´ve never seen anything like it before.
(...)
Mujer del publico (Traducida por traductor): That´s an endangered species at most. What would be the scientific purpose of killing it?
(Silencio absoluto)
Steve Zissou: Revenge.

The Life Aquatic Whit Steve Zissou. Director: Wes Anderson.

XCII. Bowie.

"(...)
Far above the world
Planet Earth is blue
And there's nothing I can do
Though I'm past one hundred thousand miles
I'm feeling very still
And I think my spaceship knows which way to go
Tell my wife I love her very much she knows"

David Bowie - Space Oddity.